International Workshop, hosted by the University of Amsterdam, juin 2015.
Contributions non publiées :
- V. Tkaczyk (UvA/MPIWG), “Knowledge of the Ear: Auditory Memory in the Arts and Sciences around 1900”
- M-M Mervant-Roux (ARIAS/THALIM), “‘Detecting’ Rather Than ‘Decreeing’ Past Sensibilities”
- C. Birdsall (UvA), “Voice, Performance and Radio Archives”
- M. van Drie (ARIAS/THALIM), “Epistemological Questions around the French National Library’s Theatre Audio Archives”
- R. Franzen (UvA), “Voices in the Archive and Voices on Stage: A Comparison”
- H. Bouvier (ARIAS/THALIM), “An Experimental Use of Theatre Sound Archives”
OpenEdition vous propose de citer ce billet de la manière suivante :
Marie (12 juin 2015). Music, Voice and Orality in Performance History. L’écoute du théâtre [lieux, spectacles et voix]. Consulté le 7 mars 2026 à l’adresse https://doi.org/10.58079/o2q5